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How to Read Donald Duck: Imperialist Ideology in the Disney Comic, by Ariel Dorfman, Armand Mattelart
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Book by Dorfman, Ariel, Mattelart, Armand
- Sales Rank: #1694360 in Books
- Brand: Brand: Intl General
- Published on: 1984-06
- Original language: Spanish
- Number of items: 1
- Binding: Paperback
- 120 pages
- Used Book in Good Condition
Most helpful customer reviews
10 of 14 people found the following review helpful.
A necessary starting-stone.
By C. E. R. Mendonça
Of course, in a vastly changed historical context, bourgeois ideology cannot produce anything approaching the seemingly reactionary facility of the Disney comic (just compare Disney with Buffy, Xena, or other postmodern heroes!). However, anyone trying to understand changes in the ideological outlook of Mass Culture must, of necessity, regard this book as one's unavoidablke starting-stone. That's that.
12 of 18 people found the following review helpful.
Valuable - in its own Context
By Amazon Customer
Dorfman and Mattelart's book is based on Donald Duck comics circulated throughout Latin America. Those books were translated and largely re-written by overzealous editors and are more different from than similar to Carl Barks' original comics. Insofar as one is interested in US / Latin American policy, politics and business, it is useful.
Disney's domestic business practives are by no means benign, but Barks is one of the more significant comics artists and enjoyed a much greater degree of creative freedom than most creators of the time. Barks cartooning is fluid and subtle, as is his storytelling.
For an insight into "the Duck Man's" work, check out Donald Ault's much more up-to-date book "Carl Barks: Conversations."
20 of 29 people found the following review helpful.
Down with Disney!
By A Customer
It just goes to show that even with the economy on a downturn the CEO of Disney walks away with 75 million dollars and gives the employees the dregs of the disney economy. This book is worth buying for it details the enormity of Diney's propaganda campaign to portray the third world as a place to be exploited. I've never saw such outright villainy as is portrayed in this classic by Dorfman. Disney portrays revolutionaries (in their comic strips) as essentially traitors and the reactionaries, and oligarchs as heroes with Donald Duck, Scrooge McDuck and company as aiding their crimes.
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